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Adam Monroe Music Mark 73 Electric Piano v1.4 (AAX AU VST) WIN/OSX-DECiBEL(藍光) 電鋼琴音色
Adam Monroe的Mark 73電鋼琴從1976年的Rhodes Mark I舞台鋼琴採樣。整個鍵盤被錫紙包裹,實際上消除了EMI噪音。通過Radial Pro 48 DI盒對鋼琴進行採樣,然後將信號發送到Fender Deluxe混響放大器,通過AEA R84 Ribbon Mic和AEA TRP前置放大器錄製得相對清晰。
羅德鋼琴73音符的每個音符在10個速度層被採樣3次。發佈採樣的DI信號以及AMP信號,但放大器發佈聲明聽起來有點不合適,因此決定只包含DI版本。放大器樣本中可以聽到放大器的聲音,因為Fender Reverb Deluxe是噪音放大器,即使沒有信號也是如此。 DI樣本相對比較乾淨。
這種特殊的羅德鋼琴相對來說不太合適,但為了使每個音符變成平均氣質的-2 + 2分差異,必須進行一些後處理重新音調。羅茲鋼琴的“低音增強”旋鈕被設置為1,音量旋鈕被設置為9.該樂器保持自然的聲音,沒有eq調整,但是為了使其與其他音色一致。
由於放大器信號明顯落後於DI信號,因此必須仔細調整每個音符的兩個信號的相位。放大器上的設置是高音:5低音:5.放大器信號有一個稍微更加激進的音調,以及DI信號更加溫暖和飽滿。示例是16位,44.1 kHz的wav文件。

Team DECiBEL | 02 Nov 2019 | 

Adam Monroe's Mark 73 Electric Piano was sampled from a 1976 Rhodes Mark I Stage Piano. The entire keyboard was wrapped in tinfoil, which eliminated EMI noise. The piano was sampled DI through a Radial Pro 48 DI box, and the signal was routed to a Fender Deluxe Reverb amp, recorded relatively clean through an AEA R84 Ribbon Mic and AEA TRP Preamp.

Each note of the 73-note Rhodes Piano was sampled 3 times at 10 velocity layers. Releases where sampled for the DI signal as well as the amped signal, but the amp release notes sounded a bit out of place, so the decision was made to only include DI releases. The sound of the amp can be heard in the amp samples, as a Fender Reverb Deluxe is a noisy amp, even without a signal. The DI samples are relatively clean by comparison.

This particular Rhodes Piano was relatively in-tune, but some post-processing re-pitching was necessary in order to bring every note into a -2 +2 cent variance of equal temperament. The "bass boost" knob of the Rhodes Piano was set to 1 and the volume knob was set to 9. The instrument was left natural sounding, without eq tweaking, although one note was eq'd in order to make it fit with the rest.

The phase of the two signals had to be carefully adjusted by hand for each note, as the amp signal significantly lagged behind the DI signal. The settings on the amp were treble: 5 bass: 5. The amp signal has a slightly more agressive tone, well the DI signal is warmer and fuller. Samples are 16 bit, 44.1 kHz wav files.

Check out Adam Monroe's Tremolo, a free companion-piece plugin to this sample library. The plugin contains built-in Tremolo, but the parameters can be fine-tuned via the standalone tremolo plugin. By utilizing tremolo, distortion, and the AMP + DI channels, a wide range of classic Rhodes Piano tones can be achieved, from Air to Steely Dan. We have done our best to create an accurate reproduction of the classic Fender Rhodes Piano. This is not a modeled-tine instrument, this is the real sound of a Rhodes Piano.

This plugin now includes great-sounding, real-time, automatic sample-rate conversion through cubic interpolation supporting sample rates of 44.1, 48, 88.2, and 96 kHz.

Release v1.4 5/22/2018
Improvements since last version:
New Features
Added support for higher sample rates using cubic interpolation (Catmull-Rom splines). I don't believe this is adding too much CPU overhead, but if you are working at higher sample rates, you likely aren't using a slow cpu.

Sample rates now supported natively:
44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz

Buffer rates tested:
16-4098 samples.

192 kHz is not supported because my audio interface only supports up to 96 kHz for testing, but it would be trivial to implement in the future.

Added built in Tremolo (From Adam Monroe's Tremolo).

Fixed OS X Sierra/High Sierra 64-bit crashing on retunring NSFONT bug (VST OS X CUBASE).
Fixed Albeton OS X Sierra/High Sierra 64-bit Not showing window bug (VST OS Ableton).

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